Authors' Interview: Pamela T. asks Jon and Pamela V. interview questions:
PT: You
both have lived, worked and traveled to many places. What is the scariest thing
that you have experienced and where did it occur?
Jon's scariest moment was either getting lost in
a pitch black labyrinth under a Maya pyramid at Yaxchilan in Guatemala, or
being in the top carriage of a ferris wheel in Colombia when it started to fall
apart; Pamela's was either opening a hotel room door to be confronted by a wall
of flames, or being interviewed by Al Roker on the Today show.
PT: Where is the ONE place you still would like
to visit and why?
Pamela would choose the ancient Maya site of
Copan in Honduras, to see the famous ceremonial stairway.
Jon would choose King Pakal's tomb deep in the
Temple of the Inscriptions in Palenque, Mexico. We've been to Palenque many
times, but the tomb is permanently closed to visitors.
PT: After the Jaguar Stones, what is your next
book or books?
We'd love to tell you about it because we're
really excited, but we don't want to jinx it by talking about it!
PT: What books are your favorites from childhood?
From your teens?
Pamela's are A Little Princess, the Ballet Shoes
books, The Phantom Tollbooth, The Owl Service, Wuthering Heights and (a bit
nerdy for a teenager she admits) Ulysses by James Joyce.
Jon's favourites were Where The Wild Things Are,
the Narnia books, The Hobbit and The Lord of the Rings.
PT: If you could meet and have coffee or dinner
with any other writer who would it be and why?
Pamela: "I had the huge honor of meeting
Judy Blume once and I was so starstruck, I couldn't say one word to her. So I
think I'd give up on civilized conversation and choose Frances Hodgson Burnett,
just so I could tie her up and force her to add a handwritten paragraph to my
copy of A Little Princess, saying that Captain Crewe did in fact come home
safely a few weeks later."
Jon: "I can imagine the scene exactly. I
would have dinner in a seafront restaurant in old Cartagena with my hero,
Gabriel Garcia Marquez. I'd like to know what was real and what was imaginary
in A Thousand Years Of Solitude. Like him, I grew up in Colombia. It's such a
mysterious, magical place that I suspect a lot of the so-called magic realism
is actually based on day to day life."
PT: What is THE best thing about writing for
middle grades?
Neither of us can imagine writing for a
different age group. Middle grade readers are an author's dream. They're young
enough to suspend disbelief and come with you on fantastical adventures; but
they're old enough to follow relatively complex plots.
PT: You've met thousands of readers in person and
on your website; what are some lessons you've learned from young people?
First of all, it has to be said that our Jaguar
Stones readers are AMAZING! They write to us all the time with questions and
plot ideas and artwork. Sometimes they send us their own manuscripts. One
thirteen-year-old girl we met on a school visit has already written three full
length novels. So I think it's important never to talk down to kids - writing
is equal parts frustrating and exhilarating at any age. We learned early on
never to try and fudge the details. Middle schoolers spot every mistake, every
inaccuracy, every implausible plot point and it spoils the whole book for them.
If it's not authentic, they won't buy into it. We're very aware that our
readers have a lot of competing demands on their time. It's our job to keep
them riveted from the moment they pick up our book. If we lose their attention,
that's our fault not theirs. When we're plotting out chapters, we like to
imagine kids wearing headlamps to read under the covers after lights out
because they just HAVE to know what happens next.
PT: How did advertising prepare you for your
writing career?
Advertising is all about focusing on the
consumer. And writing for middle grades is all about focusing on your readers,
keeping them always in your head while you're working, thinking about the words
they use, imagining their reactions. From Pamela's point of view, as a former
copywriter and creative director, writing ads taught her about meeting
deadlines, writing to length, ruthless self-editing, and taking feedback. Jon
was the Planning Director in the agency, so he's a whizz at marketing
strategies. These days, of course, he's illustrating and his mixed media
techniques owe a lot to design tips and skills he picked up in the agency. A
common saying in advertising is "Give me the freedom of a tight
brief," meaning that the more tightly defined your objective, the more
creative you can be in meeting it. An open brief might sound more fun but it's
actually because your brain has nothing to grab hold of. In the same way,
writing fantasy books within a framework of historical fact, in our case Maya
archaeology, sparks off so many "What if..." ideas for plots and
characters.
PT: If you could have any other job besides
writing and advertising, what would it be and why?
Pamela: Writing is my dream job, I've wanted to
be a writer ever since I was little. When I'm writing, I watch the action in my
mind and try to describe what I see. It's like being a film director in my own
head. So I'd like to try being an actual film director.
Jon: Lead guitarist in a rock n roll band.
(Which was my actual job for two heady years.)
PT: What lessons did your parents teach you that
you have instilled in your own children?
Pamela: We had no books in our house - so I've
made sure that my own children have grown up surrounded by them!
Jon: My parents taught me all the important
things like the joy of reading, the value of education, a love of travel, the
best recipe for ebelskivers (my mom's family is Danish) - all of which I intend
to pass on.