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Thursday, January 27, 2022

Friendship Pick: Sydney & Taylor Explore the Whole Wide World

 

by Jacqueling Davies

Illustrations by Deborah Hocking 

Houghton Mifflin Harcourt

2021

80 pages

ISBN: 9780358106319


When young readers open this book, they will be enthralled by the map of The Whole Wide World with its meadows, mountains,  Little Stream, the old footbridge, and the burrow where Sydney the skunk and Taylor the Hedgehog live under Miss Nancy's potting shed. It's a warm place where Sydney is happy to live, but Taylor has Big Ideas! 

Taylor convinces Sydney to help him "launch an expedition." Even though it's scary and they might meet strangers, the two friends set off into The Whole Wide World.

They leave all their food at home, so they decide to hunt since they are wild animals, after all. After a comic meeting with hilarious frogs, the two are trapped by a barking dog. Taylor being a hedgehog rolls into a ball which excites the barking dog, Sydney has to save his friend and together they find their way home hitching a ride in the back of Miss Nancy's car. 

Sydney and Taylor are magical and their relationship is endearing! 

Young readers will ask you to read this book again and again, It is ONE picture book I'm keeping for my BEST PICTURE BOOKS of the last few years. 


If you can only buy one book for a kid, buy this one. 

HIGHLY, HIGHLY RECOMMENDED early chapter book. Grades K-4.

Friday, January 21, 2022

Non-fiction Picture Book Pick: Alice Waters Cooks Up a Food Revolution

 

Alice Waters Cooks Up a Food Revolution

by Diane Stanley

Illustrations by Jessie Hartland

A Paula Wiseman Book

Simon & Schuster

2022

48 pages

ISBN: 9781534461406 

Alice Waters, chef, entrepreneur and pioneer of the organic food movement, started a revolution in quality food, great nutrition, farm to table cooking and influenced every chef and foodie after her. 


Alice grew up on the east coast in the 1940s. Her family always planted a garden and the fresh strawberries and vegetables grown there provided Alice her first tastes of what fresh food should taste like,  After growing season, processed foods from the supermarket made poor substitutions for the foods Alice loved.

She went to college in Berkeley, California and spent a year in France studying and eating. Everything she tastes in France is "THE BEST! EVER!" The difference was that French farmers and cooks worked with fresh food all the time. Unlike American restaurants who relied on packaged and processed foods during fall and winter months, French farmers and chefs had fresh ingredients within arms' reach.

 Alice returns home but loves everything French and worships chef Julia Child, studying and cooking all her recipes. She vows to cook fresh all the time and wishes she had a restaurant of her own. One day, she finds a small ramshackle house that would be perfect for her small restaurant. Borrowing money from her parents, Alice opens Chez Panisse, her dream French restaurant. With her friends' help, she opens, but no one has experience. They learn as the go and soon, they have a local following.

Alice has trouble finding fresh ingredients, so she travels all over northern California searching for family farms she can buy from. Using the freshest ingredients, her little restaurant becomes world famous winning the James Beard Award in 1992 becoming the first woman ever to win Best Chef Award.

Since she influenced so many farmers, eaters and chefs, Alice Waters is credited for the way most people enjoy eating today: less preservatives, organically grown, less fat and sodium, and as fresh as they can find, 

Highly recommended for any class studying food, nutrition, cooking and women in history. Illustrations by Jessie Hartland capture the beauty of fresh produce, the love Alice feels for France and the excitement of opening Chez Panisse. 

Grades 1-5. Easy biography for reluctant readers. 



Saturday, January 8, 2022

Best YA of the Year: Ain't Burned All the Bright

 

Ain't Burned All the Bright

by Jason Reynolds

Illustrations by Jason Griffin

A Caitlyn Dhouly Book

Simon & Schuster

2021

384 pages

ISBN: 9781534439467

Available January 11, 2022




from Amazon Reviews 

A profound visual testimony to how much changed while we all had to stay inside and how much—painfully, mournfully—stayed the same.

Reynolds’ poetry and Griffin’s art perform a captivating dance on pages of mixed-media collage and emotive reflection on the pronounced threats facing a contemporary Black family. In “Breath One,” the opening of the verse narrative, the unnamed boy protagonist struggles with the onslaught of TV news coverage of the systemic violence and death experienced by Black people—coverage that is both overwhelming and insufficient. The television then forms the backdrop of the narrator’s concerns for his bedridden father, who is struggling with an acute respiratory illness while isolated in a bedroom. The art is sometimes spare and monochrome before shifting to a bright and striking palette as Griffin deploys aesthetics that enliven the rich flow and rhythm of Reynolds’ words. The two skillfully go back and forth like rap duos of old, each with a distinct voice that enriches the other. The result is an effective critique of the ways we’ve failed as a society to care for one another. By “Breath Three,” however, a complicated optimism shines through for a family that perseveres through closeness and connection despite what is broadcast from their TV. While grounded in 2020, many of the issues touched on explicitly are very much not over and not even new, making this remarkable work both timely and timeless.

Artful, cathartic, and most needed. -- Kirkus Review STARRED REVIEW ― 11/01/2021

Reynolds and Griffin’s searing indictment of the status quo is expressed in the voice of a young, unnamed Black man, whose timely comments resonate beyond the personal to the universal.[…] Reynolds’ text—printed on strips of white paper affixed to notebook pages—comments on a seemingly changeless world on fire, on protests in the wake of George Floyd’s murder, and on the seeming omnipresence of COVID-19—all of which reflect a world without the freedom to breathe. It’s a bleak picture but not one without hope of change. Griffin’s remarkable mixed-media collage pictures that employ a palette largely of black and red are a perfect complement to the text, capturing its tone and style exactly while expanding and enhancing the words of the poetic text. The result is an important combination that expresses the zeitgeist of a troubled time. It’s essential reading. -- Booklist *STARRED* ― 12/1/2021

Author Reynolds and artist Griffin, friends and previous collaborators (My Name Is Jason. Mine Too.), explore recent events in America through a poetic multimedia partnership told in three “breaths.” […] As Reynolds’s lines depict Black people facing police brutality, Covid-19, and general concerns regarding safety, Griffin’s captivating collages literally and metaphorically capture a constant state of worry and panic, leading to visual moments that encourage the reader to find solace and inspiration in the everyday. -- Publishers Weekly STARRED REVIEW ― 11/15/2021

My Review: 
Ain't Burned All the Bright is a profound read that will shake you to your core.
Bound to be the most talked about YA release of 2022, dream team collaborators Jason Reynolds and Jason Griffin capture the angst, anxiety, loneliness, apathy, isolation, frustration. anger, hatred, bleakness, despair,  moral poverty, yearning, hope, love, learning, humanity and motivation for change every human has felt in the last two years.  
A young boy feels despair while his mother watches hours of television news. It's the same every time. Someone dies, someone gets shot by police, thousands catch Covid and die, hospitals are overwhelmed, the system is busted, people are MAD yet his mother sits and watches the news. His younger brother ignores everything and everyone and won't look up from his video game, his sister talks to her friends about what's happening and wants to join masses in the street, his father coughs from another room, his breathing getting worse by the hour. The young boy questions why won't people change and respect each other and care for one another. He ends on a positive note that he can at least find the remote and change the channel. 
The pandemic paired with the killings of a number of black men and women by police and an election like no other fueled Americans to take to the streets for change. Wanting change and getting change are two very different things as Reynolds points out in his signature poetic free verse style. Only a few long sentences, yet Reynolds and Griffin are able to dive deep into the social unrest and trauma felt by millions. This a much needed, important book that should affect everyone. Any class of government and American history should include this read.
Powerful imagery and novel similes shine throughout Reynolds' poem. Evocative of Beat poet Allen Ginsberg's "Howl," Ain't Burned All the Bright is likely to become the anthem of the 2020s. 
The poetic prose appears in typewriter boxes with pages that look like yellow legal pad paper. Griffin SMARTLY uses several two-page spreads using all black and no words. Red is used throughout and it works to show pain and blood. 

Highly, highly recommended grade 6 and up. Great for reluctant readers, design students, art majors and history buffs, and anyone who has lived through this pandemic. 

Saturday, January 1, 2022

Beautiful Graphic Storytelling

 

Crushing

by Sophie Burrows

Illustrations by the author 

Algonquin Young Readers

Algonquin Books of Chapel Hill

(first published in 2021 in the UK by David Fickling Books)

2022

160 pages

ISBN: 9781643752396

Available January 11, 2022

 

What a great GIFT this book is to open a new year: 2022's most beautiful, poignant book! My review follows the Editorial Reviews



Editorial Reviews

Review

“An exquisitely painful portrait of loneliness, perfectly pitched for the current time of pandemic isolation . . . Visual genius . . . The desperate need for human touch, for human connection is beautifully evoked in the deceptively simple drawings . . . Every detail has been carefully thought out, providing the reader with a rich narrative experience. That this is a debut leaves one eager to see what Burrows’ next project will be.”
New York Journal of Books

“A charming graphic novel debut . . . that recommends optimism and a wry sense of humor while acknowledging the ubiquity of loneliness.”
Publishers Weekly

“The accomplished pencil drawings with red highlights are eloquent and emotive, drawing readers in, conveying the personalities of the characters, and capturing the poignancy, dignity, drama, and humor of the everyday . . . Evocatively sketches a fine line between someday and happily-ever-after.”
Kirkus Reviews 

“A tender and real modern love story told via sad-sweet illustrations from the brilliant Sophie Burrows.”
—Matt Haig, author of The Midnight Library

“It's warm, it's funny—a subtle read, resting in the minor moments—the kebab shop visits, supermarkets, being curled up on the couch watching TV. More than words, Crushing is a feeling; a comforting, quiet feeling—just a really nice and relatable read for our times.”
The Skinny
 
“Portrays perfectly the feeling of metropolitan solitude while charged with a lingering sense of wonder.”
CulturAll
 
“Exquisitely drawn, full of quirky yet relatable little details to any urban dweller, and hopeful rather than hopeless, Crushing is a new kind of love story.”
Red Magazine
 
“Cute, whimsical and relatable … it’s a charmer.”
YADudeBooks
 
“Eloquently told … poignant.”
Youth Services Book Review



Crushing is that unique book teens and adults will be talking about this year! Evocative with sentiments of the past two years' loneliness during the pandemic lock down and burn out, yet Sophie Burrows takes readers on a path of recovery and discovery as two characters find belonging and love,

City scenes capture people taking care of business, shopping for food, goi to work, commuting in traffic, but the underlying sense of loneliness prevails showing the two main characters' feeliings as they each search for that special someone. 


Told  with few words but filled with magic, Crushing will have readers anod ARTISTS in awe of Burrows' talents. Illustrations in mostly black and white (shades of gray) and snet off with red pops of color tell readers all is not lost. Love previais, kindness is genuine, and  humanity still has hope, 


Everyone needs to read/experience this fine treasure of a book. Algonquin has done it again! BEST YA BOOK OF THE YEAR 2022! 


Crushing will lead the awards season and it's a sure BESTSELLER. 

A MUST HAVE for every collecton, reader and artist.

Sophie Burrows, standing ovation. Brava! 


HIGHLY, HIGHLY RECOMMENDED. 

Grade 7 and up.